Contents

 

 

CLIPPING IN ENGLISH SLANG NEOLOGISMS

Dmytro Borys

METAPRAGMATICS OF ACADEMIC WRITTEN DISCOURSE

Yaroslava Gnezdilova

INTERMEDIALITY AND POLYMORPHISM OF NARRATIVES IN THE GOTHIC TRADITION

Zoia Ihina

METAPHOR IN MEDIA LANGUAGE AND COGNITION: A PERSPECTIVE FROM CONCEPTUAL METAPHOR THEORY

Zoltán Kövecses

CLAIM FOR IDENTITY OR PERSONALITY FACE: THE OSCAR WINNERS’ DILEMMA

Nataliia Kravchenko, Tetiana Pasternak

COGNITIVE AND SEMIOTIC DIMENSIONS OF PARADOXICALITY IN THE 21ST CENTURY POETIC DISCOURSE

Olena Marina

WHERE, WHY, AND HOW? TOPOPHONES IN RAY BRADBURY’S SCIENCE FICTION

Nataliya Panasenko

RELIGIOUS IDEOLOGEMES IN TRANSITION: A RESIDUE OF THEOLOGICAL VIRTUES IN THE EMOTIONALIST ETHICS OF VICTORIAN NOVELS

Iryna Pinich

THE MAIN TEXT-FORMING STRATEGIES IN ROBBE-GRILLET’S NOVEL “DANS LE LABYRINTHE”: NARRATIVE AND SEMIOTIC IMPLICATIONS

Ruslana Savchuk

METAFICTION IN CONTEMPORARY ENGLISH-LANGUAGE PROSE: NARRATIVE AND STYLISTIC ASPECTS

Olena Tykhomyrova

FRAME ANALYSIS OF THE CONCEPT OF DEATH ACROSS CULTURES

Agnieszka Uberman

ICONICITY OF SYNTAX AND NARRATIVE IN AMERINDIAN PROSAIC TEXTS

Svitlana Volkova