| CLIPPING IN ENGLISH SLANG NEOLOGISMS
Dmytro Borys |
| METAPRAGMATICS OF ACADEMIC WRITTEN DISCOURSE
Yaroslava Gnezdilova |
| INTERMEDIALITY AND POLYMORPHISM OF NARRATIVES IN THE GOTHIC TRADITION
Zoia Ihina |
| METAPHOR IN MEDIA LANGUAGE AND COGNITION: A PERSPECTIVE FROM CONCEPTUAL METAPHOR THEORY
Zoltán Kövecses |
| CLAIM FOR IDENTITY OR PERSONALITY FACE: THE OSCAR WINNERS’ DILEMMA
Nataliia Kravchenko, Tetiana Pasternak |
| COGNITIVE AND SEMIOTIC DIMENSIONS OF PARADOXICALITY IN CONTEMPORARY AMERICAN POETIC DISCOURSE
Olena Marina |
| WHERE, WHY, AND HOW? TOPOPHONES IN RAY BRADBURY’S SCIENCE FICTION
Nataliya Panasenko |
| RELIGIOUS IDEOLOGEMES IN TRANSITION: A RESIDUE OF THEOLOGICAL VIRTUES IN THE EMOTIONALIST ETHICS OF VICTORIAN NOVELS
Iryna Pinich |
| THE MAIN TEXT-FORMING STRATEGIES IN ROBBE-GRILLET’S NOVEL “DANS LE LABYRINTHE”: NARRATIVE AND SEMIOTIC IMPLICATIONS
Ruslana Savchuk |
| METAFICTION IN CONTEMPORARY ENGLISH-LANGUAGE PROSE: NARRATIVE AND STYLISTIC ASPECTS
Olena Tykhomyrova |
| FRAME ANALYSIS OF THE CONCEPT OF DEATH ACROSS CULTURES
Agnieszka Uberman |
| ICONICITY OF SYNTAX AND NARRATIVE IN AMERINDIAN PROSAIC TEXTS
Svitlana Volkova |
